Andrew Lloyd Webber’s 13th new musical on Broadway adheres to the composer’s usual habits.
The comedian explores the effects and attributes of chatting with strangers and its effect on the world at large.
An unconventional staging of the old-fashioned novel inspires familiar questions about its two main characters.
An incomprehensible and unnecessary staging of the classic tale loses all of the book’s charm.
Flipping the gender of the main character in Stephen Sondheim’s musical inspires new interpretations of this tale of a New York City bachelor.
