Shrewd Taming

Shrewd Taming

Directed by Phyllida Lloyd, this performance of Shakespeare’s controversial play, by a fiercely talented and entirely female cast, inspires uncomfortable but crucial questions about the state of gender relations in America — especially with regard to one woman in particular.

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The Father/A Doll's House
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The Father/A Doll's House

Written by playwrights and famous rivals Strindberg and Ibsen, respectively, these plays offer gripping portrays of trapped women and, at first glance, their differing opinions of them.

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American Psycho
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American Psycho

The idea of setting to music a story of suppressed rage, gruesome murder and a bitingly sarcastic commentary on the greed and narcissism of the Me Decade was surprising and intriguing. But the result, directed by Rupert Goold, is a confusing combination of irony and sincerity.

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Tuck Everlasting
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Tuck Everlasting

Adapted by Claudia Shear and Tim Federle, with a score by Chris Miller (music) and Nathan Tysen (lyrics), it’s clear from the opening number thatTuck Everlasting is a whole-heartedly old-fashioned musical.

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A Streetcar Named Desire
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A Streetcar Named Desire

Blanche DuBois may be looking for magic, but it’s unforgiving realism that floods the theater at St. Ann’s Warehouse, where a gritty and gripping production of A Streetcar Named Desire is performances.

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Bright Star
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Bright Star

This highly anticipated new musical by Steve Martin and Edie Brickell, featuring original bluegrass music by its well-known team, is pretty as a picture but disappointingly unoriginal.

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Waitress
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Waitress

The new musical, composed by Sara Bareilles, is delightfully complex and complicated product with moments that sometimes edge near a familiar flavor we’ve all had before but for the most part is both melancholy and motivating.

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Prodigal Son
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Prodigal Son

The autobiographical drama follows Jim Quinn, played by the gifted young actor Timothée Chalamet, a troubled teenager from the Bronx.

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