Photograph by Alyson Greer, Wild Cotton Photography

Carey Purcell is a New-York based reporter, author and theater critic. She writes about entertainment, pop culture, politics and current events from a feminist perspective.

Carey’s work has been published in The New York Times, Vanity Fair, The New Yorker, Politico, The Guardian, The Nation, American Theatre Magazine, Dame Magazine and numerous other publications. Read more.



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Review: Bleeding Love

Sometimes art imitates life, and sometimes life imitates art. And sometimes the two combine in an eerily prescient performance that both inspires and unsettles. Such is the case with Bleeding Love, the self-described post-apocalyptic musical podcast that serves as a … Continue reading

Published: Tristan Bernays and Kate Hamill on Finding New Modern-Day Meaning in Gothic Horror

Originally published on TheaterMania View this story online Mary Shelley’s Frankenstein and Bram Stoker’s Dracula share much in common. Their titles are often uttered in the same breath, both are considered classic works of Gothic horror, and each has inspired seemingly countless adaptations for … Continue reading

Published: 5 Shows That Spotlight Great Women in History

Originally published on TDF Stages View this story online  Harriet Tubman, Nellie Bly and Molly Brown are just a handful of the sheroes being celebrated on New York stages — When I was asked to write a book about the … Continue reading

Review: Medea

The fires of rage in Medea burn hot, but in Simon Stone’s new adaptation, all we see are the ashes. Stone’s modern-day reworking of Euripides’ familial tragedy about an enraged woman who murders her children offers a more clinical, scientific scrutiny … Continue reading

Review: Cyrano

“A great nose may be an index of a great soul,” Edmund Rostand wrote in Cyrano de Bergerac. When considering the latest adaptation of this popular tale of love and tragedy, which pointedly lacks a notable physical element of the … Continue reading

Review: Peter and the Wolf

“Breathe, everybody,” Isaac Mizrahi urged the audience before beginning the day’s second performance of Peter and the Wolf.  The intimate in-house theater proved to be a fitting venue for this exuberantly festive production of Sergei Prokofiev’s 1936 composition. Mizrahi’s invitation … Continue reading

Published: A Rare Chance to See One of the First Immersive Works of Theatre

Originally published on TDF Stages View this story online María Irene Fornés’ Fefu and Her Friends is finally being revived after four-plus decades — Like many admirers of María Irene Fornés’ rarely performed masterpiece, director Lileana Blain-Cruz discovered Fefu and Her Friends in school. However, unlike many … Continue reading

Published: Why Bedlam’s The Crucible Will Surprise You

Originally published on TDF Stages View this story online  The lauded theatre company puts its singular stamp on the Arthur Miller classic — Even before it begins, Bedlam’s take on Arthur Miller’s The Crucible is meant to jar. The sparse Connelly Theater … Continue reading